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However, it’s a special way of capturing that maximizes the tonal range of a sensor. Recently, I wrote an article for ProductionHub's new, Canon has released their very easy to use. As we said before, video is derived from raw data off a masked single sensor, or something like a 3-CCD imaging block, and usually something is lost along the way. Raw data has no video processing baked in and has to be converted into video for viewing. Price, images, specifications, and descriptions of items are subject to change without notice. Recently, I was asked if shooting Log was like shooting raw. Sign up for our newsletter.

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These are both forms of compression that happen in the camera, even before recording. Raw is not Log because Log is in a video format, and raw is not video. This should clue you in that Log recording is just standard video recording in the sense that all pixels display color and brightness information. The system scanned film into a Log format that corresponded to the density of the original film. They both allow the film to get under your skin in more ways than one. This is where things get a bit trickier. None of which should suggest that Raw is simply a grad-school term paper smothered in gore. A LUT can be applied for viewing and also can be recorded if desired.

The converting of raw information into video can be time-consuming for postproduction, though great tools are available to make it fairly painless. So if the Raw data is the real information coming off the sensor, does that mean that it's uncompressed? I’m presuming that you mean the French film (2016) Raw. Bojangles’ Songwriter, Dead at 78, How to Watch UFC 254 Online: Live Stream Khabib vs. Gaethje on ESPN+, Tekashi 6ix9ine Transforms Into a ‘Supervillain’ in New Teaser for Showtime, ‘Rolling Stone’ Doc, Steve Perry: ‘My Heart Bleeds Daily to Be in Front of People And to Sing for Them’, ‘The Witches’ Review: A D.O.A.
Smelling salts are not required, but the ability to recognize a near-perfect movie when you see it most certainly is. ARRI's ALEXA camera is unique in that it can output Raw, uncompressed and record in a Log format, so I'll use that camera as an example throughout this discussion. The new algorithm creates much smaller video file sizes than before, while retaining the amazingly higher quality video data rates and editing capabilities, of the original Uncompressed RAW video. This means that raw isn’t video. Raw has to be converted to video for viewing and use. Because of this, any step in the chain—Raw, LogC video or standard video—can be recorded. Because each pixel contains only one color value, raw isn’t viewable on a monitor in any discernible way.

Then an accident causes her sister to lose a digit.
Raw recording is very different than Log, but they have similar applications. RED brought the idea of raw recording to the masses, though they weren’t the first. Log is video and has things like white balance baked into it.

A RAW file contains all the information recorded by the camera sensor for any given shot, which means it can be processed to pull out details in your photos that may be lost with other formats. Both ARRI and DALSA had cameras that could output raw sensor data. The upside to Raw recording is that no typical video processing has been baked in. But if Raw is Raw and video is video, then what the heck is Log recording?

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